Built by cinema operations professionals.
CineSend develops infrastructure for film distribution, festival delivery, and cinema operations — used by festivals, distributors, filmmakers, and exhibitors worldwide.
Built from real delivery problems.
Getting a finished film onto the big screen used to mean physical hard drives shipped around the world, expensive conversions, and fragile download links. We started CineSend to fix the last mile of content delivery — and Print Traffic grew directly out of that work with festivals.
CineSend was founded by filmmakers who experienced firsthand how slow, expensive, and fragile the "last mile" of getting a film onto the big screen had become.
Years coordinating festival deliverables — DCPs, trailers, subtitles, and posters across hundreds of titles — shaped how we think about traffic and timelines.
We built tooling around the realities of Digital Cinema Packages: large files, strict specs, and zero tolerance for a failed screening.
Encrypted, accelerated, audited transfers replaced shipped hard drives and public download links across our network.
Automated DCP validation and compliance checks give festivals and exhibitors confidence that content will play, first time, every time.
Infrastructure for the whole pipeline.
Print Traffic
Centralized intake, tracking, and delivery for film festival print traffic teams.
Media Manager
On-site appliances for DCP validation, playback verification, and cinema operations.
Cinema Infrastructure
The connective tissue moving content reliably from filmmaker to screen.
Trusted across the film ecosystem.
Making cinema delivery simpler.
Replace spreadsheets, download links, and fragmented workflows with purpose-built infrastructure — so the people moving films can focus on the work that matters, not the logistics around it.